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Antique Tractor Paint and Bodywork

Calling the Usual Suspects

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Joe Evans

10-21-2003 20:16:08




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Hey, CNKS, Rod, Gene, and Cliff: How the $#&! do you get paint to lay down flat?

I'm attempting my first show-type finish job--doing some clamshells for a 460. Not a big job and one that I can put some time in to perfect some techniques. A fellow club member has a JD 435 with a finish job that literally takes your breathe away: its main characteristic is its rich and ultra smooth paint job. Hey! I can do that, too.

I've finished painted a lot of iron before (forklifts, backhoes, tons and tons of structural steel) but never really got good at laying down a nice finish coat and quite frankly, these weren't really show pieces either.

Prepped the fenders by sanding and blasting the stubborn areas, cleaned with phosphoric acid wash followed by two coats of etching primer (good stuff--DuPont), standard primer, sanding/filling, more primer etc until satisfied with the surface texture.

Time for topcoat: DuPont Centari (code# matched with paint Dad used on the 460 paint job in 1998) with hardener yada, yada, yada. Laid down thin first coat (a 'tack' coat) followed by a good cover coat, let dry for a couple of hours, then hit her again. Ah yes, good old orange-peel mixed in with a texture akin to the rubbery material my Ranger dashboard has. Don't think I can attribute the texture to paint being too thick. I have spilled more paint than a lot of folks have sprayed and have learned that generally paint is usually applied with a too-thick mixture.

Now... I know you have to color sand, but it seems to me that the guys that know what they are doing probably don't have to sand as much as what appears I need to do to flatten things back out. They don't have forever to get things right.

Just got done color sanding. Did the bulk work with a DA and 180 discs then wet-sanded with 320 then with 1000 grit. Surface is now smooth and yes, there is still red paint on the fenders.

I admit my spray gun is what you might call from the "cost-conscious" line of tools, but it should get at least closer to a flat job than what I've been getting.

Is this a fact of life, and how many coats to lay down before final rub out? I'm believing it's a fact of life: we've done work in the local Honda Car Plant paint shops and even the factory jobs have a slight orange peel look.

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CNKS

10-22-2003 18:31:55




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 Re: Calling the Usual Suspects in reply to Joe Evans, 10-21-2003 20:16:08  
Gene and Rod have painted more than I have, so pay more attention to their technique than mine. I have a somewhat different approach. I use PPG Omni and do not deviate from what the spec sheets say about mixing. I also use HVLP with a Sharpe Platinum. I know that some experienced painters don't care that much for HVLP. But the Platinum is a GOOD gun. A person on one of the other paint forums recommended it, told me how to set it, and the topcoat goes on with no runs or sags, and very little orange peel. Good equipment does help. I am still learning about different tip sizes, as I have not gotten my primers to flow out very well (different gun, have to sand anyway, but I would like to sand less, not my favorite job). Having said that, I'm going to put the red on my Super H sheet metal tomorrow. If you hear a loud scream, you can forget everything I just wrote!

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Cliff Neubauer

10-22-2003 19:08:22




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 Re: Re: Calling the Usual Suspects in reply to CNKS, 10-22-2003 18:31:55  
With my Platinum I have found that if I turn the inlet pressure up to 52-53 psi it will really lay the paint down flat. I finished painting our 1086 with the Omni MTK about a month ago and even the frame rails are glass smooth even though I just ran the DA over them before painting. I used to hate sanding but on this last project my DA sander died so I went and bought one of the 5" random orbit sanders from TSC that fits in the palm of your hand and it almost makes sanding fun. I was hesitant to spend $90 on a sander but after using it for about two minutes I was wishing I had bought one much sooner. Being able to hold it in your palm gives you much better control and I found that 220 grit paper on it will leave a smoother surface than wet sanding with 400 grit paper as well as being about ten times faster.

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CNKS

10-22-2003 19:35:46




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 Re: Re: Re: Calling the Usual Suspects in reply to Cliff Neubauer, 10-22-2003 19:08:22  
The painter that told me how to set mine recommended 55. My dinky gauge only reads in 5 psi increments, so it's probably set between 50 and 55, anyway. Might try 55 tomorrow, since you agree with him. I use the full pattern, about 1/4, 1/2 turn in from wide open, while the fluid flow is turned in 1/2 turn after it contacts the pulled trigger. I have not made the pattern smaller because the gun works so well with the recommended settings, thus I waste some paint. Mine is a 1.5 with a 2000 cap; a 1.3 or 1.4 might be better with Omni MTK, but mine is in the correct range. I do have a touch up gun for small pieces. I really should get one of those sanders, been hesitant because I thought they would have too much "action" for sanding primer, etc. I have a larger one that doesn't work worth a darn on old finishes, would be a disaster on primer surfacer.

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Rusty Jones

10-25-2003 20:39:11




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 Re: Re: Re: Re: Calling the Usual Suspects in reply to CNKS, 10-22-2003 19:35:46  
Aw, you fellers have it all wrong! When i was refinishing cars, in my life-long occupation, the paint rep. asked me what method i used to measure the reducer when i mixed paint! I said: "Well, when it looks good running off the paint stick, then i go and paint the job!" The last place i worked had DeVilbiss paint guns. They were in bad shape, but the boss said: "Use them or buy your own!" So, not having enough money to buy the "Name" brands, i bought 3 Binks copies at the local flea markets tool man. Cost $35 at the time, and i could use the Binks parts for repairs! They worked just as good as the expensive ones! The paint guns sold by Sears weren't much account-the one that came with my Sears compressor got S-canned after the first try! And just remember--don't get nervous while painting-- I worked with a painter who had to have 2-3 shots of rye whiskey before he started to paint-kept his nerves steady-and his paint jobs turned out good. And, above all--watch your "over-laps" when painting. They are what cause "runs" and "sags" in the paint! "Over-laps" are where you have too much paint in a corner, or where you have to paint long panels, but your arms aren't long enough to do it all at once! Orange peel comes from not enough thinner in the paint, or not putting enough paint on the job, or putting the paint on too dry when spraying. You need to lay it on wet, but not too heavy on the first coat, just one pass each way, then on the second coat, put it on in a double coat, going back over the paint you just put on. Just watch how heavy you get it--that's what causes runs! Also--keep the gun perpendicular to the job--don't spray in an arc. That causes dry spots and sags. Hope this helps! RJ

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Joe Evans

10-22-2003 07:49:39




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 Re: Calling the Usual Suspects in reply to Joe Evans, 10-21-2003 20:16:08  
Thanks for the responses!

Two things outlined by you guys are evident. For starters, I'm waiting too long between coats--fearful of causing runs. Secondly, I'll flat guarantee you I'm spraying at too low of pressure if what you recommend is in the 60 PSI range. I sprayed at a regulator setting (at the compressor) of 50 PSI thinking that at the gun (at the end of 75' of hose)pressure would be about 45 PSI. I always believed that high pressures woofed up the paint at the surface creating small waves allowing the higher velocity air to 'freeze' these waves in place--sort of like the wind creating waves on a lake. Sometimes I think too much.

I'm using Mix #2 as decribed by Rod, and I did notice significant orange peel prior to the last coat.

Well..as decribed in my post, I'm now ready for round two. This will be done per you recommendations.

I get quite a kick out of all of you guys and your experience. It's a snap to copy and paste your responses to painting questions into a Word file. I'm building quite a library.

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Gene Bordelon

10-21-2003 22:04:37




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 Re: Calling the Usual Suspects in reply to Joe Evans, 10-21-2003 20:16:08  
Hiya Joe
I used to spray my gas model airplanes with Centari as that is some great fuel proof paint and would lay down like glass. Try thinning it a tiny bit more than you have been and lay on three to four shiny coats after first semi-light coat within 4 minutes of each other. If it's spraying with orange peel then you need to thin more or increase your air pressure. Each coat should have a nice shine to it that will holdout through drying. Try practicing on a smooth practice piece to get comfortable with mixing and spraying it. I'm not sure what your gun recommends for air pressure but try spraying at 58 to 62 psi. Spraying at too low a pressure will cause orange peel no matter how thin the paint. These pressures will give you great atomization. It should work out for you just fine with a little patience getting used to the paint and your gun flow adjustments.
Good Luck!

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Rod (NH)

10-21-2003 21:59:59




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 Re: Calling the Usual Suspects in reply to Joe Evans, 10-21-2003 20:16:08  
Hi Joe,

Centari is field-mixable in three different ways:

1) conventional acrylic enamel (AE) w/o hardener (AE + reducer - also called 1K pak)

2) AE w/hardener (AE + hardener + reducer)

3) Urethane modified AE (AE + urethane activator + ultra performance pak reducer). This is referred to as "Centari Ultra" or "Centari with Ultra Performance Pak".

You are apparently using either 2 or 3. I haven't used Centari in recent years except for two years ago when painting one of my trucks. My prior experience with it had been with mixes 1 and 2 above - pretty conventional. When I did my truck, I used version 3. Big difference in technique! Centari Ultra is applied in three full wet coats (no discernable "tack" coat) in cross coat fashion (latter coat 90 deg to previous coat rather than parallel). And no flash time between coats! As soon as you complete the first coat, go immediately to the next. This stuff is very hard to run. You almost have to work at it to do that. I was surprised as it was quite different to what I had been used to before. If you wait the conventional flash time between coats, it may retard the final flow out and contribute to more orange peel.

If you were using the #3 mix, you might want to try the above on a vertical test piece to get the idea. I also think that waiting the "couple of hours" prior to the final coat could also have been part of the problem. Usually you wouldn't do that, as far as I know. Did you notice any significant orange peel prior to that last coat?

I am not into "show quality" or high end stuff so I simply don't bother with any color sanding and buffing. It's not worth the effort for me. You really should be able to get it smooth with little if any orange peel without all that extra work. You also want to pay attention to proper atomization. Make sure you use the correct air pressure AT THE GUN INLET. Tee in a pressure gauge there to verify it with the trigger pulled. And make sure you use the correct reducers or paks (there are at least four of each) for the temperature at the time of spraying.

My thoughts anyway.

third party image Rod

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