If this were ever to come together, I would only consider my controbution(SP) as a back up. I really don't think I could hold back color. The music then would become Just Sound ,with no emotional feelings. Having done my share of studio time, I can tell you thats what the musicians look forward to and the studio engeneers are aware of this as well FEELINGS . However I would be willing to try provide color with NO RESTRICTIONS. My efforts would be just to provide feelings, not to crowd the players, and be a show off.Thats not in my make up at all. I'm like what one would call a studio musician that contributes. I would NEED to know ,and a sampling of the engeneer tactics before I would commit to a project like this.In other words I wouild like to hear a sampling of your techniques(sp). Would let my E.mail address open for you to reply when your ready to embark on this voyage. Reguards LOU
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Today's Featured Article - A Belt Pulley? Really Doing Something? - by Chris Pratt. Belt Pulleys! Most of us conjure up a picture of a massive thresher with a wide belt lazily arching to a tractor 35 feet away throwing a cloud of dust, straw and grain, and while nostalgic, not too practical a method of using our tractors. While this may have been the bread and butter of the belt work in the past (since this is what made the money on many farms), the smaller tasks may have been and still can be its real claim to fame. The thresher would bring in the harvest (and income) once a y
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