Digital captures a numeric value for a sound wave at a specific moment in time. This is called a "sample." As soon as that moment is gone, though, the numeric value for that sample has no further use. You have to read a new sample for the next moment, and another sample for the next moment, and so on. Instead of being a complete record of the sound, samples are a series of dots along the sound wave. The number of samples each second is called the "sampling rate." A high sampling rate produces better quality sound, but it also produces a large file. "CD quality" uses stereo sampling (two separate audio values) at 44,100 samples per second. In rough figures, this will require 10 megabytes of disk storage for every minute of music. To low a sample frequency and the sound gets distorted like the old movie sample rate which had the wagon wheels going backwards due to the frames per second rate at which they were capturing the action. That sample rate was producing what is known as aliasing or an alias of what was truly happening.
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Today's Featured Article - Third Brush Generators - by Chris Pratt. While I love straightening sheet metal, cleaning, and painting old tractors, I use every excuse to avoid working on the on the electrics. I find the whole process sheer mystery. I have picked up and attempted to read every auto and farm electrics book with no improvement in the situation. They all seem to start with a chapter entitled "Theory of Electricity". After a few paragraphs I usually close the book and go back to banging out dents. A good friend and I were recently discussing our tractor electrical systems when he stated "I figure it all comes back to applying Ohms Law". At this point
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