Why shoot it at f 2.8? That seems like a mighty limited depth of field. At 1600 how are you avoiding noise? There have been places I've had to shoot at 800, one comedy club in particular drives me nuts with that since they limit access from the press to the stage. Normally I set at either f/5.6 or f/8 for gyms and areans, unless Im not on the floor. Any more if I cant get floor access or all access I really dont like to fool with shooting it. At f/5.6 you could drop to ISO400 film speed if your at f2.8 and shooting ISO1600 and hold shutter speed constant, that will make a world of noise go away. Thats where I wish I had one more set of telephoto glass, to get the really tight shots at a longer range. But I can see dropping 4 grand into lens that I would only use for sports and wildlife.
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Today's Featured Article - Box Plow Blues - by Tom Schwarz. One of the first implements most tractor owners obtain is the box plow. For very little money, this piece of equipment promises to plow and flatten any hill or vale on your ranch road or farm. At least that's what I thought! As simple as a box plow appears, it can be rather challenging to make work correctly. In our sandy soils of Florida, traction is king. You can never have wide enough tires or heavy enough weights to get all the traction you want � unless you own a monster tractor. U
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